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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2021\/06\/379885.jpg” title_text=”379885″ show_in_lightbox=”on” _builder_version=”4.20.0″ z_index_tablet=”500″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2021\/06\/379886.jpg” title_text=”379886″ show_in_lightbox=”on” _builder_version=”4.20.0″ z_index_tablet=”500″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.0″ header_font_size=”24px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n
BALDASSARE FRANCESCHINI, chiamato IL VOLTERRANO Nudo maschile seduto con il busto volto di tre quarti a destra (recto) [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ text_orientation=”justified” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n L\u2019inedito disegno a pietra rossa qui assegnato al Volterrano \u2013 confermando l\u2019antica attribuzione vergata a penna sul recto \u2013 ritrae a figura intera un nudo maschile in posizione seduta volto a sinistra; il quale, facendo leva sul braccio destro in appoggio e sollevando l\u2019altro, compie una torsione laterale del busto ponendo in luce la muscolatura della schiena e parte della testa vista da tergo. Curato fin nei dettagli e pervaso da un intrinseco dinamismo, il Nudo maschile in esame consente di dedicare un focus a una particolare tipologia di esercizio dal vero, quella dal modello nudo, a lungo praticata dal Volterrano non solo in giovent\u00f9 ma anche da titolare di una propria bottega. […]<\/p>\n La datazione 1641 ca. riferita in questa sede al Nudo maschile in esame trova implicito sostegno nell\u2019aforisma a sfondo erotico riportato a penna sul verso (ove il termine crin allude per sineddoche alla donna amata) che di fatto suggerisce una contemporaneit\u00e0 di esecuzione fra il nostro disegno e il cosiddetto Amore venale<\/em> dipinto a fresco su ardesia dal Volterrano fra il 1641 e il 1642 ed esposto a palazzo Pitti.<\/p>\n Estratto dell’expertise della dott.ssa Maria Cecilia Fabbri<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2021\/06\/det-scaled.jpg” title_text=”det” module_class=”zoooom” _builder_version=”4.20.0″ z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Disegno Recto\/Verso\u00a0 BALDASSARRE FRANCESCHINI, chiamato IL VOLTERRANOBALDASSARE FRANCESCHINI, chiamato IL VOLTERRANO(Volterra 1611 – Firenze 1690) Nudo maschile seduto con il busto volto di tre quarti a destra (recto)Sei motivi decorativi a linee curve intrecciate (verso)1641 circaPietra rossa su carta a vergelle color beige (recto)Penna, inchiostro bruno e tracce di pietra rossa (verso)444 x 285 mm\u00a0L\u2019inedito […]<\/p>\n","protected":false},"author":2,"featured_media":4674,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [et_pb_section fb_built=\"1\" 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custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.20.0\" header_font_size=\"24px\" hover_enabled=\"0\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p> BALDASSARE FRANCESCHINI, called IL VOLTERRANO Male Nude (recto) [\/et_pb_text][et_pb_text _builder_version=\"4.20.0\" text_orientation=\"justified\" hover_enabled=\"0\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" 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sticky_enabled=\"0\"]<\/p> The unpublished drawing in red pencil highlighted with white lead here assigned to Il Volterrano \u2013 confirming the ancient attribution written both on the front and on the back \u2013 represents a male nude sited turned to the left who, insisting on the right arm and lifting the other, turns the chest to the right pointing out the muscles of the back and part of the head seen from behind. Very detailed and permeated of an intrinsic dynamism, the Male Nude here examined allow us to focus on a specific kind of studying from live, the one based on nude models, for long practised by Volterrano not only in his youth but also when he was the owner of a workshop. [...]<\/p> The dating around 1641 referred here to the Male Nude finds its implicit support in the erotic aphorism written in pen on the back (where the word \u201ccrin\u201d meaning hair is a synecdoche allusion to the loved woman) that suggest, indeed, a contemporaneity of our drawing and the so called Venal Love<\/em> painted by Volterrano between the 1641 and the 1642 and held at Palazzo Pitti.<\/p> Excerpt of the expertise by Doc. Maria Cecilia Fabbri<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=\"on\" gutter_width=\"2\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" width=\"90%\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2021\/06\/det-scaled.jpg\" module_class=\"zoooom\" _builder_version=\"4.20.0\" hover_enabled=\"0\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" global_colors_info=\"{}\" title_text=\"det\" sticky_enabled=\"0\"][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","footnotes":""},"project_category":[11],"project_tag":[],"class_list":["post-2968","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-disegni"],"_links":{"self":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/2968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/comments?post=2968"}],"version-history":[{"count":8,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/2968\/revisions"}],"predecessor-version":[{"id":3095,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/2968\/revisions\/3095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media\/4674"}],"wp:attachment":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media?parent=2968"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_category?post=2968"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_tag?post=2968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/strong>(Volterra 1611 – Firenze 1690)<\/p>\n
Sei motivi decorativi a linee curve intrecciate (verso)
<\/em>1641 circa
Pietra rossa su carta a vergelle color beige (recto)
Penna, inchiostro bruno e tracce di pietra rossa (verso)
444 x 285 mm\u00a0<\/p>\nRecto\/Verso drawing<\/strong><\/h1>
BALDASSARRE FRANCESCHINI, called IL VOLTERRANO<\/h1>
<\/strong>(Volterra 1611 - Florence 1690)<\/p>
Six intertwined curved lines decorative motifs (verso)
<\/em>Around 1641
Red pencil, white lead on beige laid paper (recto)
Pen, brown ink and red pencil traces (verso)
17.48\u00d711.22 inch<\/p>