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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2023\/09\/imm-2.jpg” title_text=”imm 2″ show_in_lightbox=”on” _builder_version=”4.20.0″ z_index_tablet=”500″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2023\/09\/imm-3-1.jpg” title_text=”imm 3″ show_in_lightbox=”on” _builder_version=”4.20.0″ z_index_tablet=”500″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.0″ header_font_size=”24px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]ANDREA PROCACCINI Nudo seduto in atto di dormire\u00a0 (recto) Originato da un modello vivente in posa, il nudo maschile addormentato tracciato a pietra rossa […] raffigurato con il busto inclinato in avanti, la testa seminascosta dal braccio destro in appoggio sulla gamba sinistra flessa e con l\u2019altro braccio abbandonato lungo il fianco \u2013 appare fin troppo complessa e articolata per non avere attinenza con opere pittoriche di Procaccini. Da qui l\u2019ipotesi che il Nudo maschile<\/em> in esame visualizzi una prima idea per la figura dormiente di Argo \u2013 assiso anch\u2019egli ai piedi di un albero \u2013 nella tela con Mercurio e Argo<\/em> dipinta dall\u2019artista come pi\u00e8ce d\u2019admittance in occasione della propria nomina ad Accademico di San Luca nel 1716.<\/p>\n La datazione intorno alla met\u00e0 del secondo decennio del Settecento […] incoraggia a intravedere […] un possibile legame primordiale fra la Figura maschile panneggiata, delineata a pietra nera sul verso del nostro foglio, e l\u2019ovale con il Profeta Daniele<\/em> eseguito da Procaccini fra il 1716 e il 1718 e relativo alla serie di dodici Profeti allogati ad altrettanti pittori da Clemente XI Albani per la navata di San Giovanni in Laterano.<\/p>\n Estratto dell’expertise della dott.ssa Maria Cecilia Fabbri<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2023\/09\/dett2-1.jpg” title_text=”dett2″ module_class=”zoooom” _builder_version=”4.20.0″ z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Disegno Recto\/Verso\u00a0 ANDREA PROCACCINI ANDREA PROCACCINI (Roma 1671 – La Granja de San Ildefonso\/Spagna 1734) Nudo seduto in atto di dormire\u00a0 (recto) Figura maschile panneggiata seduta con il braccio sinistro sollevato (verso) 1714-1716 circa Pietra rossa e pietra nera su carta bianca a vergelle, 403 x 258 mm Originato da un modello vivente in posa, […]<\/p>\n","protected":false},"author":2,"featured_media":3062,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[11],"project_tag":[58,59,60,52,57,55],"class_list":["post-3046","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-disegni","project_tag-andreaprocaccini","project_tag-barocco","project_tag-baroccoromano","project_tag-disegno","project_tag-procaccini","project_tag-sanguigna"],"_links":{"self":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/comments?post=3046"}],"version-history":[{"count":11,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3046\/revisions"}],"predecessor-version":[{"id":3139,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3046\/revisions\/3139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media\/3062"}],"wp:attachment":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media?parent=3046"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_category?post=3046"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_tag?post=3046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>(Roma 1671 – La Granja de San Ildefonso\/Spagna 1734)<\/p>\n
\nFigura maschile panneggiata seduta con il braccio sinistro sollevato (verso)
\n<\/em>1714-1716 circa
\nPietra rossa e pietra nera su carta bianca a vergelle, 403 x 258 mm
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