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PIETRO BENVENUTI Studio per il “Conte Ugolino in prigione” [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ text_orientation=”justified” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n Tra i pochi disegni che si conoscono relativi alla fase preparatoria del dipinto Il conte Ugolino in carcere, questo foglio documenta un pensiero compositivo stilisticamente intermedio fra la resistente matrice neoclassica e le avvisaglie di temperie romantica che si riescono a valutare nel dipinto tramandato dalla litografia di Belliard, eseguita per il conte Guido Alberto della Gherardesca.<\/p>\n Estratto dell’expertise del prof. Carlo Sisi nel catalogo della mostra “Fascino ed eleganza nell’arte in et\u00e0 neoclassica”, 2022.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Studio per il “Conte Ugolino in prigione” PIETRO BENVENUTIPIETRO BENVENUTI(Arezzo 1769 \u2013 Firenze 1844) Studio per il “Conte Ugolino in prigione”1837 circaMatita e gesso bianco su carta preparata, 443 \u00d7 594 mmTra i pochi disegni che si conoscono relativi alla fase preparatoria del dipinto Il conte Ugolino in carcere, questo foglio documenta un pensiero compositivo […]<\/p>\n","protected":false},"author":2,"featured_media":3238,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[67],"project_tag":[],"class_list":["post-3229","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-opere-vendute"],"_links":{"self":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/comments?post=3229"}],"version-history":[{"count":6,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3229\/revisions"}],"predecessor-version":[{"id":3241,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3229\/revisions\/3241"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media\/3238"}],"wp:attachment":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media?parent=3229"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_category?post=3229"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_tag?post=3229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/strong>(Arezzo 1769 \u2013 Firenze 1844)<\/p>\n
<\/em>1837 circa
Matita e gesso bianco su carta preparata, 443 \u00d7 594 mm<\/p>\n