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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2024\/04\/512793-213_c.jpg” title_text=”512793-213_c” show_in_lightbox=”on” _builder_version=”4.23.1″ z_index_tablet=”500″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2024\/04\/512793-213_d-2.jpg” title_text=”512793-213_d (2)” show_in_lightbox=”on” _builder_version=”4.23.1″ z_index_tablet=”500″ box_shadow_style=”preset1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.23.1″ header_font_size=”24px” text_orientation=”justified” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]FRANCOIS JOSEPH KINSON Ritratti delle sorelle Ad\u00e8le e Agla\u00e8 Augui\u00e8 Questo pendant di ritratti \u00e8 stato dipinto nel momento pi\u00f9 felice della carriera artistica del pittore Fran\u00e7ois-Joseph Kinson, la cui attivit\u00e0 \u00e8 stata molto legata alla famiglia Bonaparte. Nei due dipinti sono raffigurate le sorelle Ad\u00e8le e Agla\u00e9 Augui\u00e9: il padre Pierre-C\u00e9sar Augui\u00e9 era stato un personaggio molto potente nella Parigi di Luigi XVI avendo ricoperto le cariche di responsabile dei rifornimenti di viveri dell\u2019esercito francese, di cultore generale delle finanze e di amministratore generale delle poste; la madre, Henriette Gen\u00eat, era stata al servizio della regina Maria Antonietta e nel 1794 si era tolta la vita prima di essere condotta alla ghigliottina. Dopo la morte di Henriette Gen\u00eat, Ad\u00e8le e Agla\u00e9 furono affidate alle cure della zia materna Jeanne-Louise-Henriette Gen\u00eat Campan, sorella di Henriette. Madame Campan, donna colta e assai influente, che aveva ricoperto per pi\u00f9 di vent\u2019anni, a partire dal 1770, l\u2019importantissimo ruolo di \u2018premi\u00e8re femme de chambre\u2019 di Maria Antonietta e in virt\u00f9 di questo ruolo aveva potuto stabilire rapporti stretti e familiari con tutta l\u2019aristocrazia di Francia.<\/p>\n <\/p>\n Estratto dall’expertise del prof. Francesco Leone<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”90%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2024\/04\/512793-213_c-2.jpg” title_text=”512793-213_c (2)” module_class=”zoooom” _builder_version=”4.23.1″ z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Ritratti delle sorelle Augui\u00e8 FRANCOIS JOSEPH KINSON FRANCOIS JOSEPH KINSON (Bruges 1770 – 1839) Ritratti delle sorelle Ad\u00e8le e Agla\u00e8 Augui\u00e8 Primo decennio del XIX century Olio su tela, 72 x 59 cm Firmati Questo pendant di ritratti \u00e8 stato dipinto nel momento pi\u00f9 felice della carriera artistica del pittore Fran\u00e7ois-Joseph Kinson, la cui attivit\u00e0 […]<\/p>\n","protected":false},"author":2,"featured_media":4752,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [et_pb_section fb_built=\"1\" _builder_version=\"4.23.1\" background_image=\"https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2024\/03\/a309406e-c4e0-47e0-9b86-b10100a32a61-copia-2.jpg\" background_position=\"bottom_right\" custom_padding=\"10px||40px|||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" global_colors_info=\"{}\"][et_pb_row _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" 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box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" global_colors_info=\"{}\"]<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\"1\" _builder_version=\"4.16\" global_colors_info=\"{}\"][et_pb_row column_structure=\"1_2,1_2\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" width=\"90%\" global_colors_info=\"{}\"][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2024\/03\/f8c6f9af-9bb8-44ee-9345-b10100a328b2.jpg\" title_text=\"f8c6f9af-9bb8-44ee-9345-b10100a328b2\" show_in_lightbox=\"on\" _builder_version=\"4.23.1\" z_index_tablet=\"500\" box_shadow_style=\"preset1\" global_colors_info=\"{}\"] FRANCOIS JOSEPH KINSOEN Ad\u00e8le Augui\u00e8 and Agla\u00e8 Ney<\/em> [\/et_pb_text][et_pb_text _builder_version=\"4.23.1\" text_orientation=\"justified\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" global_colors_info=\"{}\"]<\/p> Excerpt of the expertise by prof. Francesco Leone.<\/p> \u00a0<\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=\"on\" gutter_width=\"2\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" width=\"90%\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/www.alessandromarletta.com\/wp-content\/uploads\/2024\/03\/f8c6f9af-9bb8-44ee-9345-b10100a328b2-1.jpg\" title_text=\"f8c6f9af-9bb8-44ee-9345-b10100a328b2\" module_class=\"zoooom\" _builder_version=\"4.23.1\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" global_colors_info=\"{}\"] \u00a0<\/p>","_et_gb_content_width":"","footnotes":""},"project_category":[10],"project_tag":[],"class_list":["post-3379","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-dipinti"],"_links":{"self":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/comments?post=3379"}],"version-history":[{"count":24,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3379\/revisions"}],"predecessor-version":[{"id":3858,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project\/3379\/revisions\/3858"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media\/4752"}],"wp:attachment":[{"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/media?parent=3379"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_category?post=3379"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.alessandromarletta.com\/it\/wp-json\/wp\/v2\/project_tag?post=3379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>(Bruges 1770 – 1839)<\/p>\n
\n<\/em>Primo decennio del XIX century
\nOlio su tela, 72 x 59 cm
\nFirmati
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FRANCOIS JOSEPH KINSOEN<\/h1>
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<\/strong>(Bruges 1770 - 1839)<\/p>
First decade of the XIX century
Oil on canvas, 28\u00bc x 23\u00a0in
Signed\u00a0<\/p>
[\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>